Spotlight on Gwen Browning

Each month we like to spotlight one of the members of the Limelight Theatre community. This month, meet Gwen Browning, one of the Wanneroo Rep’s longest serving current members!

Gwen was born in the UK and was introduced to theatre “as soon as she could sit in a seat”. Her parents were both avid theatre goers and Gwen recalls the enthralling visits to the Bristol Hippodrome to see the pantomimes at Christmas and later to The Old Vic.

She joined the Weston-super-Mare Players and the Weston-super-Mare Operatic Society and was involved in many productions before emigrating to Australia in 1982. “When I arrived in Perth, I wanted to find a club to join. I asked around and a friend of a friend gave me Murray Dearle’s phone number. I rang him and Wanneroo Rep were holding auditions in the shed on that Sunday. So, I went along and got into the chorus of “Puss in Boots”.

Never a one to do things by half, Gwen became a member of the Committee, a position she held for nearly every year until taking on the role of Publicity, then Secretary and then President for four years. “I think I’ve participated in every aspect of the theatre over the years both on and off stage, except lighting, which terrifies me!”

Gwen’s been involved with too many productions to list. Her favourites include The Anniversary, Calendar Girls and Noises Off. More recently, 2016’s Old Time Music Hall was the best fun she’s had in years. At the annual Limelight Awards, Gwen has won three Best Actor Awards for Sister Bonaventure (1992), A Pack of Lies (2004), Calendar Girls (2013) and two Best Supporting Actor Awards for Gigi (1996) and The Darling Buds of May (2015). Gwen also won the Best Actress Award at the State Theatre Drama Festival in 1995.

Although Gwen originally started as a performer, in more recent years she has explored other theatrical positions – in particular, directing. ‘As you get older there are fewer roles available,’ she explains. ‘So, I turned to directing and was surprised to find how rewarding it is.’ Gwen won Best Production for Talking Heads in 2012 and Best Technical Award for Speaking in Tongues in 2015.

In the future, Gwen hopes to keep performing. ‘I really enjoy cameo roles which require solid characterisation. I am sure I will return to directing when I find the right play.’

Gwen has found the theatre has been a wonderful source of friendship over the years. ‘I love the way it provides a vehicle for interaction between all age groups. And it’s great to watch the young talent develop and grow!’

President’s Spot – August

Hi Everyone,

As you read this month’s newsletter Patrick and I will be half way through our European adventure! We will visit Rome, Florence, Milan and Naples in Italy, Athens, Santorini, Rhodes and Mykonos in Greece plus Malta as we cruise the Mediterranean. Then it’s over to Ireland taking in Dublin, Tipperary and all things Guinness before we visit friends and relations in England. Our final night will be in London when we will be at the Dominion Theatre to enjoy An American in Paris!!! Are we envious yet?!?

Meanwhile Tim Riessen, in his directorial debut with David Williamson’s play Let the Sunshine, opens with only 8 performances on Thursday 17th August. Bookings are already under way, so please don’t leave it until the last moment as you may well be disappointed.

Although our Karaoke night was only attended by around 30 people, the talent on display was fantastic! Not fair to mention names, especially as I can’t remember everyone, but wow! There were some real surprises amongst the singers – Meg, what a powerful vocalist she is! Patrick had the audience up and dancing as he gave us a very memorable “Mustang Sally”! A stunning version of “All of Me” from Kale nearly brought us to tears and Brad – who knew you had so much voice!?! My thanks to Teresa from Soul Sounds and to all of the members and audience who either provided the entertainment or who were entertained by “Karaoke at the Limelight”.

So what next for the Limelight foyer? Entertainments in the foyer are becoming quite the thing at Limelight and we are on the look-out for more. If you have any suggestions, please do not hesitate to contact me or a committee member – if it’s something you’d like to see there’s almost certainly a crowd of others who’d like to join you! So far, a quiz night is a possibility later in the year – with a theatrical theme, of course. We might be able to lure the Folkin’ Bogans back, and a couple of other small musical groups have expressed an interest. We will always try to keep the cost of these nights to a minimum and welcome your suggestions.

See you at the theatre (we’ll be back for final night!).

All the best

Shelley McGinn

Application to Direct in 2018

Calling all aspiring directors for the 2018 season!

If directing in the next season at the Limelight Theatre is something that interests you, please download the application to direct form below, fill it in and submit it to the Limelight Theatre committee before the 31st of August. 

Application to Direct 2018

Spotlight on Tim Riessen

Each month we like to spotlight one of the members of the Limelight Theatre community. This month, meet Tim Riessen, actor, musician and soon to be director!

Tim’s first experience of working in theatre was while he was living in Albany, where he was fortunate to land a role in a production of Jesus Christ Superstar. He found this to be a wonderful experience and, caught by the bug, managed to land roles in two other productions. This fuelled a desire to do more, so Tim started looking for further acting opportunities when he moved to Perth.

In 2013, Tim came across an audition notice in a local paper for Limelight Theatre’s production of The Phantom of the Opera. He was cast in a supporting role and hasn’t looked back since! Since Phantom of the Opera, Tim has performed in at least two shows a year at the Limelight, including Pride and Prejudice, The Glorious Old Time Music Hall, Don’t Shoot the Messenger and Blitz!. His favourite role, however, was playing Eli Whitney in 2014’s Anything Goes. ‘He was a fun character to play,’ says Tim. ‘He was a bit of a caricature.’ Tim also enjoyed the challenge of his role in 2015’s Speaking in Tongues, where he played several characters in marital strife.

Tim’s proudest theatrical moment, however, was when he was cast in his first leading role as Pa Larkin’s in The Darling Buds of May in 2015. ‘To carry this off and learn all the lines was definitely an achievement’.

2017 brings about new and exciting challenges for Tim, who will be directing his rst show – next month’s Let the Sunshine. ‘I wanted to direct because it seemed the next natural step,’ he explains. ‘Much as I’d like to have the lead role Jean Val-Jean in Les Mis, I’m probably past that. So if I want to put my stamp on a play and bring to life characters as I see them, then directing is the obvious path.’

And if he enjoys the experience? ‘I would like to direct a musical next. I have thoroughly enjoyed the experience of musicals, the camaraderie, the teamwork, the working together to create something enjoyable for an audience. I want to have a go at bringing something like this to life!’

Spotlight on Pat McGinn

FOR JUNE our superstar is Pat McGinn!

Pat joined Wanneroo Repertory with his late wife Ann in 1982 when one day they stumbled upon the former Wanneroo Scout Hut at the Showgrounds and upon entering the “shed” found Kevin Lofthouse and Peter Lane, (both founding members and now sadly passed away), involved in constructing theatre flats and scenery for the next show for Wanneroo Repertory. “Were we interested in becoming involved with local community theatre?” they asked. The rest, as they say, is history.

Pat joined up immediately and his first duty for that show, played at The Civic Centre, was – guess what – Front of House! He was also heavily involved with the construction of the Limelight Theatre and was also involved on stage with productions both at the Civic Centre and Limelight, appearing on stage in Guys and Dolls, Music and Memories, Follies, Dracula Spectacula, Sister Bonaventure, King Tide Running and “probably others that I have forgotten!”

Early on, he stage managed a few shows and worked backstage and remembers fondly stage managing The Wizard of Oz with, (in the Civic Centre), “a 15-year-old Lisa McCune playing Dorothy and my big strapping 13-year-old son Kevin, as King of the Munchkins!” Other great memories Pat recalls are hosting the ITA One Act Drama Festival in the Civic Centre at Wanneroo Rep’s 10th Birthday and the opening of the Limelight with all the attendant pomp and ceremony and the obligatory dignitaries in attendance.

“I soon became aware that being a male and although I loved to sing (still do), singing, moving and remembering lines at the same time was not really my cup of tea (just ask Polly Waugh!)” In later years Pat took great enjoyment in operating sound and absolutely loved being involved front of house (which used to be under the stairs in the Limelight before the foyer was built! “Me and Debby Ainslie, what a team!” He has enjoyed both these positions for many, many years, and still does.

Pat’s only adventure “back on the boards” was recently being coaxed by Shelley to appear in The Grand Old Time Music Hall in 2016 when he enjoyed the singing immensely but still had big problems with movement! “Luckily,” he says, “there was enough great talent on stage for me to hide behind!”

“I realise that back when I joined Wanneroo Repertory, that was what you did, you “joined” a club. However, over time the concept of belonging to a theatre club has changed and nowadays people join to use the theatre space, show off their talents and move on to the next show when finished. That’s progress I suppose, but I still hanker for the old days when you were part of a large group with a common purpose all working to the same ends. There are, and always will be, “core” memberships to see the running of the club continue into the future, but being old fashioned, I still miss the “club” atmosphere and the many social get togethers we used to have. We were just like “family”.”

Taking on the role of Theatre Maintenance Manager this year is another personal achievement for Pat. He claims he is still easing into the role, but with Wally Fry to guide him he feels he couldn’t have a better teacher. “The most challenging thing about the role is finding interested volunteers to complete necessary maintenance on a building as old as the Limelight. The small band of the “Tuesday Workforce” is amazing, nothing is too much trouble for them to do, but with such a small group things do take time.”

Wanneroo Repertory has provided Pat with many years of enjoyment as a pastime and hobby, “I don’t know how many hours I have spent there, must be in the thousands, it has literally become part of my life!” He has enjoyed good and bad times, (but mainly good), met some good and bad people, (but mainly good) and hopes his involvement continues for many years into the future.